Wednesday, January 30, 2008

Obama & the Arts



Kailei, Kyra Jean Green, & mom warming up.
Sarajevo, Bosnia & Herzegovina July 2006


As I told a.k. in a email:

The sentiment in the quote below has been a huge part of my "raison d'ĂȘtre" in arts education. The attachment details his platform on the arts, while not particularly juicy in its contents, it is astounding that it got written at all.

The Chairman of the National Endowment for the Arts recently said “The purpose of arts education is not to produce more
artists, though that is a byproduct. The real purpose of arts education is to create complete human beings
capable of leading successful and productive lives in a free society.”


Nancy Havlik sent this to me... thought I'd share :) It's from the Obama Campaign


BARACK OBAMA: A CHAMPION FOR THE ARTS

Our nation’s creativity has filled the world’s libraries, museums, recital halls, movie houses, and marketplaces
with works of genius. The arts embody the American spirit of self-definition. As the author of two best-selling
books – Dreams from My Father and The Audacity of Hope – Barack Obama uniquely appreciates the role and
value of creative expression.

A PLATFORM IN SUPPORT OF THE ARTS

Reinvest in Arts Education: To remain competitive in the global economy, America needs to reinvigorate the
kind of creativity and innovation that has made this country great. To do so, we must nourish our children’s
creative skills. In addition to giving our children the science and math skills they need to compete in the new
global context, we should also encourage the ability to think creatively that comes from a meaningful arts
education. Unfortunately, many school districts are cutting instructional time for art and music education.
Barack Obama believes that the arts should be a central part of effective teaching and learning. The Chairman
of the National Endowment for the Arts recently said “The purpose of arts education is not to produce more
artists, though that is a byproduct. The real purpose of arts education is to create complete human beings
capable of leading successful and productive lives in a free society.” To support greater arts education, Obama
will:

Expand Public/Private Partnerships Between Schools and Arts Organizations: Barack Obama will
increase resources for the U.S. Department of Education’s Arts Education Model Development and
Dissemination Grants, which develop public/private partnerships between schools and arts
organizations. Obama will also engage the foundation and corporate community to increase support for
public/private partnerships.

Create an Artist Corps: Barack Obama supports the creation of an “Artists Corps” of young artists
trained to work in low-income schools and their communities. Studies in Chicago have demonstrated
that test scores improved faster for students enrolled in low-income schools that link arts across the
curriculum than scores for students in schools lacking such programs.

Publicly Champion the Importance of Arts Education: As president, Barack Obama will use the
bully pulpit and the example he will set in the White House to promote the importance of arts and arts
education in America. Not only is arts education indispensable for success in a rapidly changing, high
skill, information economy, but studies show that arts education raises test scores in other subject areas
as well.

Support Increased Funding for the NEA: Over the last 15 years, government funding for the National
Endowment for the Arts has been slashed from $175 million annually in 1992 to $125 million today. Barack
Obama supports increased funding for the NEA, the support of which enriches schools and neighborhoods all
across the nation and helps to promote the economic development of countless communities.

Promote Cultural Diplomacy: American artists, performers and thinkers – representing our values and ideals
– can inspire people both at home and all over the world. Through efforts like that of the United States
Information Agency, America’s cultural leaders were deployed around the world during the Cold War as artistic
ambassadors and helped win the war of ideas by demonstrating to the world the promise of America. Artists
can be utilized again to help us win the war of ideas against Islamic extremism. Unfortunately, our resources
for cultural diplomacy are at their lowest level in a decade. Barack Obama will work to reverse this trend and
improve and expand public-private partnerships to expand cultural and arts exchanges throughout the world.

Attract Foreign Talent: The flipside to promoting American arts and culture abroad is welcoming members of
the foreign arts community to America. Opening America’s doors to students and professional artists provides
the kind of two-way cultural understanding that can break down the barriers that feed hatred and fear. As
America tightened visa restrictions after 9/11, the world’s most talented students and artists, who used to come
here, went elsewhere. Barack Obama will streamline the visa process to return America to its rightful place as
the world’s top destination for artists and art students.

Provide Health Care to Artists: Finding affordable health coverage has often been one of the most vexing
obstacles for artists and those in the creative community. Since many artists work independently or have non-
traditional employment relationships, employer-based coverage is unavailable and individual policies are
financially out of reach. Barack Obama’s plan will provide all Americans with quality, affordable health care.
His plan includes the creation of a new public program that will allow individuals and small businesses to buy
affordable health care similar to that available to federal employees. His plan also creates a National Health
Insurance Exchange to reform the private insurance market and allow Americans to enroll in participating
private plans, which would have to provide comprehensive benefits, issue every applicant a policy, and charge
fair and stable premiums. For those who still cannot afford coverage, the government will provide a subsidy.
His health plan will lower costs for the typical American family by up to $2,500 per year.

Ensure Tax Fairness for Artists: Barack Obama supports the Artist-Museum Partnership Act, introduced by
Senator Patrick Leahy (D-VT). The Act amends the Internal Revenue Code to allow artists to deduct the fair
market value of their work, rather than just the costs of the materials, when they make charitable contributions.

Sunday, January 27, 2008

time warp & tid-bits

I am elated beyond words. I hope I can convey my gratitude and excitement in some small way here. I am working on a new project: Objects of Hope_Washington, DC. I'm collaborating with the musicians in an absolutely new way for me - they are a fundamental part of shaping the work. The talent in the room is a bit intimidating - mostly because I don't speak their language comfortably. However, it is already one of the top experiences of my life. I am far outside my comfort zone - but in a healthy, growing way. Sadly, one of them had to leave a bit early. After he left, the three remaining hit a rhythm that blew me away. It was pure (as one of them stated) "living in the moment" MAGIC. My only twinge of sad is that making this work is not my full-time job. I long for a time when the majority of my income is making this art. It will happen.

I'm focused on the long-term goals of Contradiction Dance; which means saying "no" to certain projects that are quite appealing. Happily, there are several that feed me as an artist, help me to grow in those goals, and will help support me financially. I just hope that I'm not allowing any of them to distract me or detract from work I could be doing for Contradiction.... AAAAAHHH TOO MANY CHOICES. I made the decision not to self-produce this year. It's forced me to focus on the projects that will support themselves and the company and to let go of those that are draining on all resources. It's a scary choice - I like knowing my concert schedule way ahead of time, but I'm not in a financial position to responsibly produce another show out-of-pocket.

Speaking of supportive work:

Contradiction Dance moves into residence with Echo Park Contemporary Ballet. WE HAVE A HOME!!! This will get it's own post very soon as well... hammering out details this week - then we'll have a lot to celebrate - YAYAYAY!

I'm psyched to step back into rehearsals with Liz Lerman Dance Exchange this week. I am an adjunct performer as well as an educator with them; my experiences have been rewarding and satisfying. Please check the link above for weekly classes as well as the company's performance schedule.... I'll post more on the upcoming gig SOON.

In other news, I'm auditioning for a play this week... I haven't taken a serious acting role in a while - I'm totally psyched! Not to mention, it's a great challenge :) Once again, I'm finding comfort outside my comfort zone. Also, as I'm dabbling more and more in theatrical elements in the dances I direct, I need to hone those skills myself as an actor, singer, etc. And, the play itself is a poignant work (more on it later) and it should be FUN, too :)

I'm in one of those places where life is happening in fast-forward... it's a bit strange and exhilarating all at the same time; unfortunately, I'm seriously exhausted and out of balance. I still haven't kicked this cold. Ever felt that way?

And then, life gives you a gift of time. Just after I wrote the sentences above I got a call reminding me that this was a week off from 5 of my classes. See, life takes care of you, if you take care of life. I need to remember that more often!

I just saw this video from Boris on Dance a Day. He subbed for me last week so that I could do a gig w/ Cast of Thousands (a production company that does special events). My teens were being teens... they had a performance last week; this week only one student showed up for the open house/last day. She was in for a treat.... take a peek!

Obama won in S.C. Here's the BBC's take: Obama wins in S.C. What do you think? I didn't hear his speech, but peeps say it was a good one. Onward.

Here are some pics from the recent shoot w/ Paulo (studiopfp.com)... enjoy! There are spicier ones, but I prefer to keep those anonymous for now!



Saturday, January 26, 2008

videos

Once again sleepless...

been looking at videos - here are some of my viewings:

This one always makes me smile :)


and the entire film of this (amazing) is one of my all-time faves called the Cost of Living from DV8. Here are 3 short clips:







And, finally - the man, the myth, the legend: Christopher Walken:

Monday, January 21, 2008

Back to me again....


This photo is me at this moment.
Ahhhhh.
(copyright stuff here)

The performance was great start for Objects for Hope: Washington, DC... Reggie and I both felt good about it. I'm ready to go on to the next version of the concept and I'm pleased by our performance and our progress. The ankle is throbbing, as if to say, "What the F**k were you thinking yesterday?" But, that's to be expected. Here are some pics taken during the post-show talk back. Images by Paulo Francesco (Studiopfp.com). Also, Boris made 6 - 1 min dances for his dance a day project. For video of Boris' performance go to danceaday.com.







pictured: Boris, Ling, Reggie, k.k., Leanne, Jazzie, her student.

I appreciate your words and encouragement... you guys got me through a rough day! In contrast, today, was lovely. Not at all the day I planned or expected, but it was practically perfect. And, since many have asked, the S.O. - the one who has me crazy-glued to his pinky finger - showed his colors... I am soothed and taken care of and mending. In many ways. And, thanks again for the tea that doesn't taste like dirt :)

Sunday, January 20, 2008

hanging by a thread


Today I have a 3 p.m. performance. It is the first for me since the ankle injury. I do not feel ready - I need more rehearsal w/ a healed ankle and more time to gel with my partner. We will do our best, but I am not feeling prepared or at my best. Regardless, "the show must go on" and off I go to perform it.

I'm having a moment of overwhelmed. I'm sick, lost my voice, had a nose-bleed (which I NEVER have) ankle aches because it's so cold outside, female issues I don't have answers for, and I might be headed for heartbreak. Other than that, I'm great. Really.

However, to calm myself down, I usually read... listening to others keeps me out of my own head enough to keep moving forward. A Time to Dance wrote this post. My response, below, reminds me of why I show up. Thanks ATTD :)

I think it’s all about the serenity I find on stage. I am more myself under those lights with only the moment in front of me than I am at any other time. It is my safe-space and a place I can release and be my best, worst, and most honest self. Class is a place to meditate and learn. The stage is for me and the audience.

Friday, January 18, 2008

Outsourcing Daycare

This is an area I haven't blogged on before, but the time is ripe. Today, my daughter does not have school due to a teacher in-service day. Not a huge deal, it just means she tags along in my world for most of the day. As she gets older, this does become less fun for her and more of a juggle for me. Today, she will "help" me teach two classes and create wonderful works of kid art while I rehearse. Or, I could have sent her to daycare at school for the bargain price of $80. I'd rather have the assistant!

I am reminded of the days before she went to school when I had to put her in daycare.

Nightmare.

And I had a pretty perfect arrangement. My friend's mom runs a daycare out of her home - it was near my work and she gave me a break on the fees - $50 a day instead of $70-$80. Still, it was $250/week and added 30 mins to my commute each way, given traffic. $1k per month for childcare. The numbers are shocking... and I paid less than many! EEK!

As an artist, it's cool for me to "bring my kid to work" as needed, but a lot of people don't have that option. Ultimately, there are many great and terrible aspects of any childcare situation... and it's about finding what will work for all - kid, parents, work, etc. Still, I found the below funny. Thanks for sharing Andrew (poet's paradox).





Thursday, January 17, 2008

Colin's Poem

Colin Gilbert, a friend from my Kilgore College days is an amazing poet. He posted this today... I dig it. www.freecolin.net

"Opposite of hate"

Opposite of hate

Hundreds of years ago Japanese haiku
master Basho would gaze upon a single
flower for an entire day in hopes one
of 17 characters of the poem would emerge.

68 times. An entire day for one word.
Imagine life as that flower. A poet sits
upon a grassy path beside you. He ponders
each word 9 hours. "Real poetry," said Basho,

"is to lead a beautiful life. To live poetry
is better than to write it." 68 times. One word.
68 times I thought of you today. 68 times
I lived a life with you today. 68 times.

The word is love.

Tuesday, January 15, 2008

Being Real

“'What is REAL?' asked the Rabbit one day, 'Does it mean having things that buzz inside you and a stick-out handle?

''Real isn't how you are made,' said the Skin Horse. 'It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.[...]

'Does it happen all at once, like being wound up,' he asked, 'or bit by bit?

''It doesn't happen all at once,' said the Skin Horse.

'You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to the people who don't understand.'”


-The Velveteen Rabbit
Margery Williams


photo by Paul Gordon Emerson, 2004

Monday, January 14, 2008

Photographs... A Quote...

"A photograph is a record of a fleeting instant; a drawing is a composite of the artist's experience." - Roger Tory Peterson

A.K. read this to me out of this article.

I think it's a lovely statement both in the context of the article (I concur, upon reading said article, a.k.) and in the context of life. In my art, I draw with words and movement, taking time to create a painting of an experience, situation, etc.

BUT, photos are amazing!

I did a photo shoot yesterday w/ Paulo Francesco (studiopfp.com) for a new project. He works mainly with models; as I am a dancer, this kind of shoot - a more stationary/posed shoot - is far outside my comfort zone. I really don't know how to be still very well. I'm learning :) He is a patient photographer - and I learned a lot from the experience. In the context of the quote & the shoot, so much time and energy went into creating a fleeting instant - ironic, huh?

Makes me wonder what a painter would have painted of the shoot itself.

Here are some shots from a 2006 shoot w/ Paulo.



Thursday, January 10, 2008

Poetry of the Moment

Waiting rooms
Curiosity blooms
Amidst the rain.

White noise machines
Serenity dreams...
I'm still awake in this nightmare.

Pull the sheets
Skip the beats
This heart's racing.

Tapping keys
Something seen
Oh, Snap!
It's my turn.

"NEXT!"

k.k.
1/10/2008

Wednesday, January 9, 2008

Tidbits

he said..

"I thought the walls were moving."

They were.

I'm in a shift.

I read this article about the NH Primary results... ugh. Why are they all so chipper about losing? Is it really expected? Can't Obama say, "This really F-ing SUCKS?!" Sometimes I just want a little more reality from my politicians.

I had to re-write my bio for a program at a dance competition I'm judging in the spring. I cannot possibly convey how much I really hate that particular chore. I always want to be sarcastic and funny - the serious stuff is so... well, serious. And then she blah, blah, blah. Don't get me wrong, I take my life and accomplishments seriously (that word again), but I'd rather you just come watch, ask me after the show about my past, and then let's move on. Maybe that will be my next bio:

k.k.
I write, dance, think, and play. Ask me questions after the show. Onward.

I may be going for acupuncture for the ankle tomorrow (thanks a.k.) ... those of you who've sent well-wishes, thanks muchly. I think my current state of bitchiness is a direct result of my inability to grande plié right now. Not that I'm a huge fan of plié for plié's sake, I just miss jumping. I can't jump if I can't land. I'm a jumper at heart...

just feed me mixed drinks and you'll see - no inner physical monologue, the jumps come out!



Photo: Copyright Enoch Chan 2007

Sunday, January 6, 2008

New Parkour Video

I love this stuff.




Thanks for sending my way, Joseph :)

Saturday, January 5, 2008

goodbye duet w/ Shallom

Click here to see the duet... improvised goodbye.

http://movingspaceandtime.blogspot.com/2008/01/shallom-and-kk-goodbye-duet.html

love you, lom.

Friday, January 4, 2008

I'm On the Radio...

Here's a listen...

Click here then on DC Dance Mix. You can listen to the segment :)

I'm psyched!

Thursday, January 3, 2008

Never Tame...

So... I am a lion, too. Put me in a cage, I don't care how often you feed me fresh meat; If I can escape - I will. Even if I have to put you down to do it. ROAR.






Last Updated:
Thursday, 3 January 2008, 16:10 GMT
Lions devour man at SA game lodge
Lion
There have been a number of lion attacks on farms and lodges
A South African man has been killed and eaten by lions at a game lodge where he worked 150km (90 miles) west of Johannesburg, police say.

Samuel Boosen, 36, was attacked after entering the enclosure on Tuesday where an estimated nine lions were kept.

"Only his spine and skull remained," police spokesman Lesego Metsi told the South Africa Press Association.

The mauling to death of a nine-year-old boy by 10 lions on a North West Province farm caused anger last year.

There were calls for the farm's lions to be put down, but in the end they were taken away from the farm owner, SABC News reports.

Mr Metsi said the latest incident, at Aloe Ridge Lodge, happened in view of two witnesses.

He said it was unclear why Mr Boosen, who had worked at the lodge for four years, had gone into the enclosure, as he usually fed the lions by putting meat through the fence.

The Most Frightening Place...

Is the dark space that exists between ideas. The moments, days, and weeks when the muse is silent creates a maddening and deafening chaos of emotion and fear. It passes. It's just damn scary... that dark silence.

The newest idea came in concept a while ago. The concrete ideas have been washing over me the past few days. Creating insomnia, waking me from the sleep I do get, and forcing my pen to page to ask for the necessary collaboration and funding.

My ideas are born of life experience... I am grateful for a full life.

Now, to the second most frightening place: the creation itself. Walking into the studio with a mind full of ideas - good ones at that - and the responsibility to make the work to the best of my craft. The real work begins today.

I've been immobilized by a lack of inspiration, sadness at goodbyes, and the solemn moments of reflecting on 2007. Tempered with the joy of sharing time with loved ones, I've been immobile, nevertheless. Time to retrain the injured ankle and put this idea into my body.

Onward.

Wednesday, January 2, 2008

city of debt

This story caught my eye... more because of the side bar of links covering the global crunch. What do we think will be the result of this mess?

On the lighter side, here's an article on laughter: http://news.bbc.co.uk/2/hi/science/nature/7167878.stm

enjoy!


http://news.bbc.co.uk/2/hi/business/7164898.stm


By Michael Robinson
BBC World Service

Construction worker building a home
The US has had an unprecedented building and house price boom

The city of Stockton in California is at the centre of the mortgage crisis now sweeping America.

Because, with house prices tumbling, more people in Stockton face the repossession of their homes than anywhere else in the US.

But Stockton is also a place where you can really get a feel for the staggering amounts of money banks loaned during the boom - with few or no questions asked.

Lending frenzy

In his 25 years as an estate agent in Stockton, Kevin Moran had never seen anything like it as seemingly limitless bank loans sent house prices rocketing.

Kevin Moran
US real estate agents have seen the market shift quickly

"It was crazy", he says. "People felt that if they didn't make a high enough offer on a house, it would be gone.

"Instead of saying 'What do you want to do on a Saturday? Let's go to the park', they'd say 'Let's go buy a house'".

At the height of the buying frenzy, in 2006, Will Trawick was selling new homes for a Stockton developer.

Faced with crowds of a hundred buyers, bank loans in hand, all chasing the 20 houses he might have on offer, he organised bingo-style lotteries.

"We had ping-pong balls with numbers, just like you'd see on a TV show", Mr Trawick recalls.

"Everybody would have a number. We'd put the ping-pong balls in, spin it and, you know 'Number 22! Yoo-hoo!' They'd jump up and yell, come on up and pick which home they wanted, and leave a deposit cheque".

It was not only home-buyers who banks were keen to lend to.

With house prices soaring, pretty well anyone who owned a home in Stockton suddenly found they had plenty of equity in their property - equity the banks were eager to convert into cash.

Steve Carrigan
Mr Carrigan says that easy loans saw consumers spend their houses

Steve Carrigan is in charge of economic development for Stockton. He says bank loans made it a party every day.

"People went to the bank and got a loan on the increase in the price of their home. They went out and spent all that money," he explains.

"Price of the home went up again, they went back to the bank and got another loan. They went out again and spent that money on cars and jewellery and furniture - whatever they wanted."

With the help of the banks, Mr Carrigan says, people in Stockton "spent their house".

But that is not how it was meant to be.

Rule dodging

After previous financial disasters caused by excessive bank lending, regulators developed rules to limit how many loans a bank could have on its balance sheet.

The rules are complex, but as a rough rule of thumb, they say that for every $1 (50 pence) of shareholder capital a bank has on its balance sheet, it can also have about $10 of loans.

But, as is clear from the torrent of home loans in Stockton and across America, banks were lending far more than that 10 to 1 ratio.

How had they managed to do it?

Professor Nouriel Roubini
Professor Roubini says banks skirted around industry rules

The first technique banks used to circumvent regulators' rules is known as "securitisation" - a way of a bank getting loans it had already made off its balance sheet.

They did this by selling their loans off to pension funds, insurance companies, even to other banks around the world.

Professor Nouriel Roubini, the head of a leading New York firm of economic analysts, says securitisation was key to helping banks avoid the regulators' 10:1 rule.

"You make a bunch of mortgages and then you package them and you sell it to someone else," he explains.

"Therefore it goes off the books and therefore you can make even more loans."

As a result, the amount of lending banks could do was "much more massive", he says.

Financial alchemy

The banks' loans should have been hard to sell because they were low quality - since they were issued with no questions asked, there was little assurance they could be repaid.

But the banks had an answer to that.

To make their risky loans appear attractive to buyers, banks used complex financial engineering to repackage them so they looked super-safe and paid returns well above what equivalent super-safe investments offered.

Billionaire Wilbur Ross
Even Wall Street veterans were surprised by the debt instruments

Even savvy Wall Street veteran and billionaire Wilbur Ross could not figure out what was happening.

"What they were fundamentally doing was taking a $100 pile of low quality securities and creating something they could sell to investors for $103," he says.

"So there was an alchemy - making more price than there was value."

Banks even found ways to get loans off their balance sheets without selling them at all.

They devised bizarre new financial entities - called Special Investment Vehicles or SIVs - in which loans could be held technically and legally off balance sheet, out of sight, and beyond the scope of regulators' rules.

So, once again, SIVs made room on balance sheets for banks to go on lending.

Final countdown

As long as house prices went on rising, few people raised questions about the potential risks in the structures the banks had created.

Everyone was making too much money to be worried.

But then in 2007, when American house prices began to plummet, the true dangers began to be revealed.

If you have a $200bn loss, that reduced your capital by $200bn, you have to reduce your lending by 10 times as much
Professor Nouriel Roubini

Banks had got round regulators' rules by selling off their risky loans, but because so many of the securitised loans were bought by other banks, the losses were still inside the banking system.

Loans held in SIVs were technically off banks' balance sheets, but when the value of the loans inside SIVs started to collapse, the banks which set them up found that they were still responsible for them.

So losses from investments which might have appeared outside the scope of the regulators' 10:1 rule, suddenly started turning up on bank balance sheets.

No-one knows how big the losses from investments based on American mortgages will eventually prove to be - estimates now range from $200bn upwards.

The problem now facing many of the biggest lenders is that when losses appear on banks' balance sheets, the regulator's 10:1 rule comes back into play because losses reduce a banks' shareholder capital.

2008 pain

Professor Roubini says that even at the low end of the estimates the potential impact on the rest of the economy is massive.

"If you have a $200bn loss, that reduced your capital by $200bn, you have to reduce your lending by 10 times as much," he explains.

"So you could have a reduction of total credit to the economy of two trillion dollars".

The professor predicts that a reduction of credit on that scale will trigger a recession in America which could become global as the contagion spreads through the banking system worldwide.

Which is why, faced with these gaping and growing holes in their shareholders' capital, some of the biggest US banks are selling off shares to China, Singapore, or wealthy Gulf oil states, in an attempt to repair the damage.

Some American politicians are already complaining about such sales but, for all our sakes, we had better hope the banks' last ditch strategy succeeds in avoiding at least some of the probable pain to come in 2008.

You can hear Michael Robinson's special series Debt Threat - the Monster Stalking the Global Economy on BBC World Service on Monday 31 December and Monday 7 January at 0905 GMT.

girlfriends

Shallom, k.k., Arianna

so, my best girlfriend is leaving today for several months. Let me preface this with a simple statement on girls in general: I really don't like them: they gossip a lot, are mean, and talk about shit I don't really care about...

And then my girl Shallom walked into my world. We met at an audition in Jan... the very same audition where I met another significant person in my world. Shallom and I didn't keep in touch after the audition. However, she moved here in early September. Since then, we've been inseparable.

I refuse to dwell on sad moments - it's a dangerous place for me to go; however - this day is tough. It just is... I've had a week of bliss on several levels. As of today, I need to create it.

shit.

And I can't sleep.

The pic below is my girl at 1.5 years old... she was bitter and pissed after her first swim in the ocean w/ mom (It was COLD). She literally turned her back and walked away from me.

Tuesday, January 1, 2008

k.k. & rizqi on npr

Tune in on Friday between 1&2 pm

wamu 88.5

Listen as Andrew Hiller bears witness to "The Blend" while k.k. and rizqi pair hip hop and contemporary dance

Photobucket