Showing posts with label politics. Show all posts
Showing posts with label politics. Show all posts

Wednesday, September 24, 2008

Interesting Essay on Why Peeps Vote Republican

http://www.edge.org/3rd_culture/haidt08/haidt08_index.html


...the second rule of moral psychology is that morality is not just about how we treat each other (as most liberals think); it is also about binding groups together, supporting essential institutions, and living in a sanctified and noble way. When Republicans say that Democrats "just don't get it," this is the "it" to which they refer.

WHAT MAKES PEOPLE VOTE REPUBLICAN? [9.9.08]
By Jonathan Haidt

JONATHAN HAIDT is Associate Professor of Psychology at the University of Virginia, where he does research on morality and emotion and how they vary across cultures. He is the author of The Happiness Hypothesis: Finding Modern Truth in Ancient Wisdom.

Jonathan Haidt's Edge Bio Page

Further reading on Edge: Moral Psychology and the Misunderstanding of Religion By Jonathan Haidt [9.22.07]

THE REALITY CLUB: Daniel Everett, Howard Gardner, Michael Shermer, Scott Atran, James Fowler, Alison Gopnik, Sam Harris, James O'Donnell

BLOGWATCH


WHAT MAKES PEOPLE VOTE REPUBLICAN?

What makes people vote Republican? Why in particular do working class and rural Americans usually vote for pro-business Republicans when their economic interests would seem better served by Democratic policies? We psychologists have been examining the origins of ideology ever since Hitler sent us Germany's best psychologists, and we long ago reported that strict parenting and a variety of personal insecurities work together to turn people against liberalism, diversity, and progress. But now that we can map the brains, genes, and unconscious attitudes of conservatives, we have refined our diagnosis: conservatism is a partially heritable personality trait that predisposes some people to be cognitively inflexible, fond of hierarchy, and inordinately afraid of uncertainty, change, and death. People vote Republican because Republicans offer "moral clarity"—a simple vision of good and evil that activates deep seated fears in much of the electorate. Democrats, in contrast, appeal to reason with their long-winded explorations of policy options for a complex world.

Diagnosis is a pleasure. It is a thrill to solve a mystery from scattered clues, and it is empowering to know what makes others tick. In the psychological community, where almost all of us are politically liberal, our diagnosis of conservatism gives us the additional pleasure of shared righteous anger. We can explain how Republicans exploit frames, phrases, and fears to trick Americans into supporting policies (such as the "war on terror" and repeal of the "death tax") that damage the national interest for partisan advantage.

But with pleasure comes seduction, and with righteous pleasure comes seduction wearing a halo. Our diagnosis explains away Republican successes while convincing us and our fellow liberals that we hold the moral high ground. Our diagnosis tells us that we have nothing to learn from other ideologies, and it blinds us to what I think is one of the main reasons that so many Americans voted Republican over the last 30 years: they honestly prefer the Republican vision of a moral order to the one offered by Democrats. To see what Democrats have been missing, it helps to take off the halo, step back for a moment, and think about what morality really is.


I began to study morality and culture at the University of Pennsylvania in 1987. A then-prevalent definition of the moral domain, from the Berkeley psychologist Elliot Turiel, said that morality refers to "prescriptive judgments of justice, rights, and welfare pertaining to how people ought to relate to each other." But if morality is about how we treat each other, then why did so many ancient texts devote so much space to rules about menstruation, who can eat what, and who can have sex with whom? There is no rational or health-related way to explain these laws. (Why are grasshoppers kosher but most locusts are not?) The emotion of disgust seemed to me like a more promising explanatory principle. The book of Leviticus makes a lot more sense when you think of ancient lawgivers first sorting everything into two categories: "disgusts me" (gay male sex, menstruation, pigs, swarming insects) and "disgusts me less" (gay female sex, urination, cows, grasshoppers ).

For my dissertation research, I made up stories about people who did things that were disgusting or disrespectful yet perfectly harmless. For example, what do you think about a woman who can't find any rags in her house so she cuts up an old American flag and uses the pieces to clean her toilet, in private? Or how about a family whose dog is killed by a car, so they dismember the body and cook it for dinner? I read these stories to 180 young adults and 180 eleven-year-old children, half from higher social classes and half from lower, in the USA and in Brazil. I found that most of the people I interviewed said that the actions in these stories were morally wrong, even when nobody was harmed. Only one group—college students at Penn—consistently exemplified Turiel's definition of morality and overrode their own feelings of disgust to say that harmless acts were not wrong. (A few even praised the efficiency of recycling the flag and the dog).

This research led me to two conclusions. First, when gut feelings are present, dispassionate reasoning is rare. In fact, many people struggled to fabricate harmful consequences that could justify their gut-based condemnation. I often had to correct people when they said things like "it's wrong because… um…eating dog meat would make you sick" or "it's wrong to use the flag because… um… the rags might clog the toilet." These obviously post-hoc rationalizations illustrate the philosopher David Hume's dictum that reason is "the slave of the passions, and can pretend to no other office than to serve and obey them." This is the first rule of moral psychology: feelings come first and tilt the mental playing field on which reasons and arguments compete. If people want to reach a conclusion, they can usually find a way to do so. The Democrats have historically failed to grasp this rule, choosing uninspiring and aloof candidates who thought that policy arguments were forms of persuasion.

The second conclusion was that the moral domain varies across cultures. Turiel's description of morality as being about justice, rights, and human welfare worked perfectly for the college students I interviewed at Penn, but it simply did not capture the moral concerns of the less elite groups—the working-class people in both countries who were more likely to justify their judgments with talk about respect, duty, and family roles. ("Your dog is family, and you just don't eat family.") From this study I concluded that the anthropologist Richard Shweder was probably right in a 1987 critique of Turiel in which he claimed that the moral domain (not just specific rules) varies by culture. Drawing on Shweder's ideas, I would say that the second rule of moral psychology is that morality is not just about how we treat each other (as most liberals think); it is also about binding groups together, supporting essential institutions, and living in a sanctified and noble way.

When Republicans say that Democrats "just don't get it," this is the "it" to which they refer. Conservative positions on gays, guns, god, and immigration must be understood as means to achieve one kind of morally ordered society. When Democrats try to explain away these positions using pop psychology they err, they alienate, and they earn the label "elitist." But how can Democrats learn to see—let alone respect—a moral order they regard as narrow-minded, racist, and dumb?


After graduate school I moved to the University of Chicago to work with Shweder, and while there I got a fellowship to do research in India. In September 1993 I traveled to Bhubaneswar, an ancient temple town 200 miles southwest of Calcutta. I brought with me two incompatible identities. On the one hand, I was a 29 year old liberal atheist who had spent his politically conscious life despising Republican presidents, and I was charged up by the culture wars that intensified in the 1990s. On the other hand, I wanted to be like those tolerant anthropologists I had read so much about.

My first few weeks in Bhubaneswar were therefore filled with feelings of shock and confusion. I dined with men whose wives silently served us and then retreated to the kitchen. My hosts gave me a servant of my own and told me to stop thanking him when he served me. I watched people bathe in and cook with visibly polluted water that was held to be sacred. In short, I was immersed in a sex-segregated, hierarchically stratified, devoutly religious society, and I was committed to understanding it on its own terms, not on mine.

It only took a few weeks for my shock to disappear, not because I was a natural anthropologist but because the normal human capacity for empathy kicked in. I liked these people who were hosting me, helping me, and teaching me. And once I liked them (remember that first principle of moral psychology) it was easy to take their perspective and to consider with an open mind the virtues they thought they were enacting. Rather than automatically rejecting the men as sexist oppressors and pitying the women, children, and servants as helpless victims, I was able to see a moral world in which families, not individuals, are the basic unit of society, and the members of each extended family (including its servants) are intensely interdependent. In this world, equality and personal autonomy were not sacred values. Honoring elders, gods, and guests, and fulfilling one's role-based duties, were more important. Looking at America from this vantage point, what I saw now seemed overly individualistic and self-focused. For example, when I boarded the plane to fly back to Chicago I heard a loud voice saying "Look, you tell him that this is the compartment over MY seat, and I have a RIGHT to use it."

Back in the United States the culture war was going strong, but I had lost my righteous passion. I could never have empathized with the Christian Right directly, but once I had stood outside of my home morality, once I had tried on the moral lenses of my Indian friends and interview subjects, I was able to think about conservative ideas with a newfound clinical detachment. They want more prayer and spanking in schools, and less sex education and access to abortion? I didn't think those steps would reduce AIDS and teen pregnancy, but I could see why the religious right wanted to "thicken up" the moral climate of schools and discourage the view that children should be as free as possible to act on their desires. Conservatives think that welfare programs and feminism increase rates of single motherhood and weaken the traditional social structures that compel men to support their own children? Hmm, that may be true, even if there are also many good effects of liberating women from dependence on men. I had escaped from my prior partisan mindset (reject first, ask rhetorical questions later), and began to think about liberal and conservative policies as manifestations of deeply conflicting but equally heartfelt visions of the good society.


On Turiel's definition of morality ("justice, rights, and welfare"), Christian and Hindu communities don't look good. They restrict people's rights (especially sexual rights), encourage hierarchy and conformity to gender roles, and make people spend extraordinary amounts of time in prayer and ritual practices that seem to have nothing to do with "real" morality. But isn't it unfair to impose on all cultures a definition of morality drawn from the European Enlightenment tradition? Might we do better with an approach that defines moral systems by what they do rather than by what they value?

Here's my alternative definition: morality is any system of interlocking values, practices, institutions, and psychological mechanisms that work together to suppress or regulate selfishness and make social life possible. It turns out that human societies have found several radically different approaches to suppressing selfishness, two of which are most relevant for understanding what Democrats don't understand about morality.

First, imagine society as a social contract invented for our mutual benefit. All individuals are equal, and all should be left as free as possible to move, develop talents, and form relationships as they please. The patron saint of a contractual society is John Stuart Mill, who wrote (in On Liberty) that "the only purpose for which power can be rightfully exercised over any member of a civilized community, against his will, is to prevent harm to others." Mill's vision appeals to many liberals and libertarians; a Millian society at its best would be a peaceful, open, and creative place where diverse individuals respect each other's rights and band together voluntarily (as in Obama's calls for "unity") to help those in need or to change the laws for the common good.

Psychologists have done extensive research on the moral mechanisms that are presupposed in a Millian society, and there are two that appear to be partly innate. First, people in all cultures are emotionally responsive to suffering and harm, particularly violent harm, and so nearly all cultures have norms or laws to protect individuals and to encourage care for the most vulnerable. Second, people in all cultures are emotionally responsive to issues of fairness and reciprocity, which often expand into notions of rights and justice. Philosophical efforts to justify liberal democracies and egalitarian social contracts invariably rely heavily on intuitions about fairness and reciprocity.

But now imagine society not as an agreement among individuals but as something that emerged organically over time as people found ways of living together, binding themselves to each other, suppressing each other's selfishness, and punishing the deviants and free-riders who eternally threaten to undermine cooperative groups. The basic social unit is not the individual, it is the hierarchically structured family, which serves as a model for other institutions. Individuals in such societies are born into strong and constraining relationships that profoundly limit their autonomy. The patron saint of this more binding moral system is the sociologist Emile Durkheim, who warned of the dangers of anomie (normlessness), and wrote, in 1897, that "Man cannot become attached to higher aims and submit to a rule if he sees nothing above him to which he belongs. To free himself from all social pressure is to abandon himself and demoralize him." A Durkheimian society at its best would be a stable network composed of many nested and overlapping groups that socialize, reshape, and care for individuals who, if left to their own devices, would pursue shallow, carnal, and selfish pleasures. A Durkheimian society would value self-control over self-expression, duty over rights, and loyalty to one's groups over concerns for outgroups.

A Durkheimian ethos can't be supported by the two moral foundations that hold up a Millian society (harm/care and fairness/reciprocity). My recent research shows that social conservatives do indeed rely upon those two foundations, but they also value virtues related to three additional psychological systems: ingroup/loyalty (involving mechanisms that evolved during the long human history of tribalism), authority/respect (involving ancient primate mechanisms for managing social rank, tempered by the obligation of superiors to protect and provide for subordinates), and purity/sanctity (a relatively new part of the moral mind, related to the evolution of disgust, that makes us see carnality as degrading and renunciation as noble). These three systems support moralities that bind people into intensely interdependent groups that work together to reach common goals. Such moralities make it easier for individuals to forget themselves and coalesce temporarily into hives, a process that is thrilling, as anyone who has ever "lost" him or herself in a choir, protest march, or religious ritual can attest.

In several large internet surveys, my collaborators Jesse Graham, Brian Nosek and I have found that people who call themselves strongly liberal endorse statements related to the harm/care and fairness/reciprocity foundations, and they largely reject statements related to ingroup/loyalty, authority/respect, and purity/sanctity. People who call themselves strongly conservative, in contrast, endorse statements related to all five foundations more or less equally. (You can test yourself at www.YourMorals.org.) We think of the moral mind as being like an audio equalizer, with five slider switches for different parts of the moral spectrum. Democrats generally use a much smaller part of the spectrum than do Republicans. The resulting music may sound beautiful to other Democrats, but it sounds thin and incomplete to many of the swing voters that left the party in the 1980s, and whom the Democrats must recapture if they want to produce a lasting political realignment.


In The Political Brain, Drew Westen points out that the Republicans have become the party of the sacred, appropriating not just the issues of God, faith, and religion, but also the sacred symbols of the nation such as the Flag and the military. The Democrats, in the process, have become the party of the profane—of secular life and material interests. Democrats often seem to think of voters as consumers; they rely on polls to choose a set of policy positions that will convince 51% of the electorate to buy. Most Democrats don't understand that politics is more like religion than it is like shopping.

Religion and political leadership are so intertwined across eras and cultures because they are about the same thing: performing the miracle of converting unrelated individuals into a group. Durkheim long ago said that God is really society projected up into the heavens, a collective delusion that enables collectives to exist, suppress selfishness, and endure. The three Durkheimian foundations (ingroup, authority, and purity) play a crucial role in most religions. When they are banished entirely from political life, what remains is a nation of individuals striving to maximize utility while respecting the rules. What remains is a cold but fair social contract, which can easily degenerate into a nation of shoppers.

The Democrats must find a way to close the sacredness gap that goes beyond occasional and strategic uses of the words "God" and "faith." But if Durkheim is right, then sacredness is really about society and its collective concerns. God is useful but not necessary. The Democrats could close much of the gap if they simply learned to see society not just as a collection of individuals—each with a panoply of rights--but as an entity in itself, an entity that needs some tending and caring. Our national motto is e pluribus unum ("from many, one"). Whenever Democrats support policies that weaken the integrity and identity of the collective (such as multiculturalism, bilingualism, and immigration), they show that they care more about pluribus than unum. They widen the sacredness gap.

A useful heuristic would be to think about each issue, and about the Party itself, from the perspective of the three Durkheimian foundations. Might the Democrats expand their moral range without betraying their principles? Might they even find ways to improve their policies by incorporating and publicly praising some conservative insights?

The ingroup/loyalty foundation supports virtues of patriotism and self-sacrifice that can lead to dangerous nationalism, but in moderate doses a sense that "we are all one" is a recipe for high social capital and civic well-being. A recent study by Robert Putnam (titled E Pluribus Unum) found that ethnic diversity increases anomie and social isolation by decreasing people's sense of belonging to a shared community. Democrats should think carefully, therefore, about why they celebrate diversity. If the purpose of diversity programs is to fight racism and discrimination (worthy goals based on fairness concerns), then these goals might be better served by encouraging assimilation and a sense of shared identity.

The purity/sanctity foundation is used heavily by the Christian right to condemn hedonism and sexual "deviance," but it can also be harnessed for progressive causes. Sanctity does not have to come from God; the psychology of this system is about overcoming our lower, grasping, carnal selves in order to live in a way that is higher, nobler, and more spiritual. Many liberals criticize the crassness and ugliness that our unrestrained free-market society has created. There is a long tradition of liberal anti-materialism often linked to a reverence for nature. Environmental and animal welfare issues are easily promoted using the language of harm/care, but such appeals might be more effective when supplemented with hints of purity/sanctity.

The authority/respect foundation will be the hardest for Democrats to use. But even as liberal bumper stickers urge us to "question authority" and assert that "dissent is patriotic," Democrats can ask what needs this foundation serves, and then look for other ways to meet them. The authority foundation is all about maintaining social order, so any candidate seen to be "soft on crime" has disqualified himself, for many Americans, from being entrusted with the ultimate authority. Democrats would do well to read Durkheim and think about the quasi-religious importance of the criminal justice system. The miracle of turning individuals into groups can only be performed by groups that impose costs on cheaters and slackers. You can do this the authoritarian way (with strict rules and harsh penalties) or you can do it using the fairness/reciprocity foundation by stressing personal responsibility and the beneficence of the nation towards those who "work hard and play by the rules." But if you don't do it at all—if you seem to tolerate or enable cheaters and slackers -- then you are committing a kind of sacrilege.


If Democrats want to understand what makes people vote Republican, they must first understand the full spectrum of American moral concerns. They should then consider whether they can use more of that spectrum themselves. The Democrats would lose their souls if they ever abandoned their commitment to social justice, but social justice is about getting fair relationships among the parts of the nation. This often divisive struggle among the parts must be balanced by a clear and oft-repeated commitment to guarding the precious coherence of the whole. America lacks the long history, small size, ethnic homogeneity, and soccer mania that holds many other nations together, so our flag, our founding fathers, our military, and our common language take on a moral importance that many liberals find hard to fathom.

Unity is not the great need of the hour, it is the eternal struggle of our immigrant nation. The three Durkheimian foundations of ingroup, authority, and purity are powerful tools in that struggle. Until Democrats understand this point, they will be vulnerable to the seductive but false belief that Americans vote for Republicans primarily because they have been duped into doing so.


ON WHAT MAKES PEOPLE VOTE REPUBLICAN?
By Jonathan Haidt

Daniel Everett, Howard Gardner, Michael Shermer, Scott Atran, James Fowler, Alison Gopnik, Sam Harris, James O'Donnell

[...continue]

Sunday, September 21, 2008

Obama and the Palin Effect by Deepak Chopra

Snagged from Saul Williams' Blog and re-posted here

Obama and the Palin Effect

Sometimes politics has the uncanny effect of mirroring the national psyche even when nobody intended to do that. This is perfectly illustrated by the rousing effect that Gov. Sarah Palin had on the Republican convention in Minneapolis this week. On the surface, she outdoes former Vice President Dan Quayle as an unlikely choice, given her negligent parochial expertise in the complex affairs of governing. Her state of Alaska has less than 700,000 residents, which reduces the job of governor to the scale of running one-tenth of New York City. By comparison, Rudy Giuliani is a towering international figure. Palin's pluck has been admired, and her forthrightness, but her real appeal goes deeper.

She is the reverse of Barack Obama, in essence his shadow, deriding his idealism and turning negativity into a cause for pride. In psychological terms the shadow is that part of the psyche that hides out of sight, countering our aspirations, virtue, and vision with qualities we are ashamed to face: anger, fear, revenge, violence, selfishness, and suspicion of "the other." For millions of Americans, Obama triggers those feelings, but they don't want to express them. He is calling for us to reach for our higher selves, and frankly, that stirs up hidden reactions of an unsavory kind. (Just to be perfectly clear, I am not making a verbal play out of the fact that Sen. Obama is black. The shadow is a metaphor widely in use before his arrival on the scene.) I recognize that psychological analysis of politics is usually not welcome by the public, but I believe such a perspective can be helpful here to understand Palin's message. In her acceptance speech Gov. Palin sent a rousing call to those who want to celebrate their resistance to change and a higher vision.

Look at what she stands for:

–Small town values — a nostaligic return to simpler times disguises a denial of America's global role, a return to petty, small-minded parochialism.

–Ignorance of world affairs — a repudiation of the need to repair America's image abroad.

–Family values — a code for walling out anybody who makes a claim for social justice. Such strangers, being outside the family, don't need to be heeded.

–Rigid stands on guns and abortion — a scornful repudiation that these issues can be negotiated with those who disagree.

–Patriotism — the usual fallback in a failed war.

–"Reform" — an italicized term, since in addition to cleaning out corruption and excessive spending, one also throws out anyone who doesn't fit your ideology.

Palin reinforces the overall message of the reactionary right, which has been in play since 1980, that social justice is liberal-radical, that minorities and immigrants, being different from "us" pure American types, can be ignored, that progressivism takes too much effort and globalism is a foreign threat. The radical right marches under the banners of "I'm all right, Jack," and "Why change? Everything's OK as it is." The irony, of course, is that Gov. Palin is a woman and a reactionary at the same time. She can add mom to apple pie on her resume, while blithely reversing forty years of feminist progress. The irony is superficial; there are millions of women who stand on the side of conservatism, however obviously they are voting against their own good. The Republicans have won multiple national elections by raising shadow issues based on fear, rejection, hostility to change, and narrow-mindedness.

Obama's call for higher ideals in politics can't be seen in a vacuum. The shadow is real; it was bound to respond. Not just conservatives possess a shadow — we all do. So what comes next is a contest between the two forces of progress and inertia. Will the shadow win again, or has its furtive appeal become exhausted? No one can predict. The best thing about Gov. Palin is that she brought this conflict to light, which makes the upcoming debate honest. It would be a shame to elect another Reagan, whose smiling persona was a stalking horse for the reactionary forces that have brought us to the demoralized state we are in. We deserve to see what we are getting, without disguise.

Part 2
http://deepakchopra.com/2008/09/16/obama-and-the-palin-effect-part-2/

Wednesday, January 30, 2008

Obama & the Arts



Kailei, Kyra Jean Green, & mom warming up.
Sarajevo, Bosnia & Herzegovina July 2006


As I told a.k. in a email:

The sentiment in the quote below has been a huge part of my "raison d'être" in arts education. The attachment details his platform on the arts, while not particularly juicy in its contents, it is astounding that it got written at all.

The Chairman of the National Endowment for the Arts recently said “The purpose of arts education is not to produce more
artists, though that is a byproduct. The real purpose of arts education is to create complete human beings
capable of leading successful and productive lives in a free society.”


Nancy Havlik sent this to me... thought I'd share :) It's from the Obama Campaign


BARACK OBAMA: A CHAMPION FOR THE ARTS

Our nation’s creativity has filled the world’s libraries, museums, recital halls, movie houses, and marketplaces
with works of genius. The arts embody the American spirit of self-definition. As the author of two best-selling
books – Dreams from My Father and The Audacity of Hope – Barack Obama uniquely appreciates the role and
value of creative expression.

A PLATFORM IN SUPPORT OF THE ARTS

Reinvest in Arts Education: To remain competitive in the global economy, America needs to reinvigorate the
kind of creativity and innovation that has made this country great. To do so, we must nourish our children’s
creative skills. In addition to giving our children the science and math skills they need to compete in the new
global context, we should also encourage the ability to think creatively that comes from a meaningful arts
education. Unfortunately, many school districts are cutting instructional time for art and music education.
Barack Obama believes that the arts should be a central part of effective teaching and learning. The Chairman
of the National Endowment for the Arts recently said “The purpose of arts education is not to produce more
artists, though that is a byproduct. The real purpose of arts education is to create complete human beings
capable of leading successful and productive lives in a free society.” To support greater arts education, Obama
will:

Expand Public/Private Partnerships Between Schools and Arts Organizations: Barack Obama will
increase resources for the U.S. Department of Education’s Arts Education Model Development and
Dissemination Grants, which develop public/private partnerships between schools and arts
organizations. Obama will also engage the foundation and corporate community to increase support for
public/private partnerships.

Create an Artist Corps: Barack Obama supports the creation of an “Artists Corps” of young artists
trained to work in low-income schools and their communities. Studies in Chicago have demonstrated
that test scores improved faster for students enrolled in low-income schools that link arts across the
curriculum than scores for students in schools lacking such programs.

Publicly Champion the Importance of Arts Education: As president, Barack Obama will use the
bully pulpit and the example he will set in the White House to promote the importance of arts and arts
education in America. Not only is arts education indispensable for success in a rapidly changing, high
skill, information economy, but studies show that arts education raises test scores in other subject areas
as well.

Support Increased Funding for the NEA: Over the last 15 years, government funding for the National
Endowment for the Arts has been slashed from $175 million annually in 1992 to $125 million today. Barack
Obama supports increased funding for the NEA, the support of which enriches schools and neighborhoods all
across the nation and helps to promote the economic development of countless communities.

Promote Cultural Diplomacy: American artists, performers and thinkers – representing our values and ideals
– can inspire people both at home and all over the world. Through efforts like that of the United States
Information Agency, America’s cultural leaders were deployed around the world during the Cold War as artistic
ambassadors and helped win the war of ideas by demonstrating to the world the promise of America. Artists
can be utilized again to help us win the war of ideas against Islamic extremism. Unfortunately, our resources
for cultural diplomacy are at their lowest level in a decade. Barack Obama will work to reverse this trend and
improve and expand public-private partnerships to expand cultural and arts exchanges throughout the world.

Attract Foreign Talent: The flipside to promoting American arts and culture abroad is welcoming members of
the foreign arts community to America. Opening America’s doors to students and professional artists provides
the kind of two-way cultural understanding that can break down the barriers that feed hatred and fear. As
America tightened visa restrictions after 9/11, the world’s most talented students and artists, who used to come
here, went elsewhere. Barack Obama will streamline the visa process to return America to its rightful place as
the world’s top destination for artists and art students.

Provide Health Care to Artists: Finding affordable health coverage has often been one of the most vexing
obstacles for artists and those in the creative community. Since many artists work independently or have non-
traditional employment relationships, employer-based coverage is unavailable and individual policies are
financially out of reach. Barack Obama’s plan will provide all Americans with quality, affordable health care.
His plan includes the creation of a new public program that will allow individuals and small businesses to buy
affordable health care similar to that available to federal employees. His plan also creates a National Health
Insurance Exchange to reform the private insurance market and allow Americans to enroll in participating
private plans, which would have to provide comprehensive benefits, issue every applicant a policy, and charge
fair and stable premiums. For those who still cannot afford coverage, the government will provide a subsidy.
His health plan will lower costs for the typical American family by up to $2,500 per year.

Ensure Tax Fairness for Artists: Barack Obama supports the Artist-Museum Partnership Act, introduced by
Senator Patrick Leahy (D-VT). The Act amends the Internal Revenue Code to allow artists to deduct the fair
market value of their work, rather than just the costs of the materials, when they make charitable contributions.

Sunday, January 27, 2008

time warp & tid-bits

I am elated beyond words. I hope I can convey my gratitude and excitement in some small way here. I am working on a new project: Objects of Hope_Washington, DC. I'm collaborating with the musicians in an absolutely new way for me - they are a fundamental part of shaping the work. The talent in the room is a bit intimidating - mostly because I don't speak their language comfortably. However, it is already one of the top experiences of my life. I am far outside my comfort zone - but in a healthy, growing way. Sadly, one of them had to leave a bit early. After he left, the three remaining hit a rhythm that blew me away. It was pure (as one of them stated) "living in the moment" MAGIC. My only twinge of sad is that making this work is not my full-time job. I long for a time when the majority of my income is making this art. It will happen.

I'm focused on the long-term goals of Contradiction Dance; which means saying "no" to certain projects that are quite appealing. Happily, there are several that feed me as an artist, help me to grow in those goals, and will help support me financially. I just hope that I'm not allowing any of them to distract me or detract from work I could be doing for Contradiction.... AAAAAHHH TOO MANY CHOICES. I made the decision not to self-produce this year. It's forced me to focus on the projects that will support themselves and the company and to let go of those that are draining on all resources. It's a scary choice - I like knowing my concert schedule way ahead of time, but I'm not in a financial position to responsibly produce another show out-of-pocket.

Speaking of supportive work:

Contradiction Dance moves into residence with Echo Park Contemporary Ballet. WE HAVE A HOME!!! This will get it's own post very soon as well... hammering out details this week - then we'll have a lot to celebrate - YAYAYAY!

I'm psyched to step back into rehearsals with Liz Lerman Dance Exchange this week. I am an adjunct performer as well as an educator with them; my experiences have been rewarding and satisfying. Please check the link above for weekly classes as well as the company's performance schedule.... I'll post more on the upcoming gig SOON.

In other news, I'm auditioning for a play this week... I haven't taken a serious acting role in a while - I'm totally psyched! Not to mention, it's a great challenge :) Once again, I'm finding comfort outside my comfort zone. Also, as I'm dabbling more and more in theatrical elements in the dances I direct, I need to hone those skills myself as an actor, singer, etc. And, the play itself is a poignant work (more on it later) and it should be FUN, too :)

I'm in one of those places where life is happening in fast-forward... it's a bit strange and exhilarating all at the same time; unfortunately, I'm seriously exhausted and out of balance. I still haven't kicked this cold. Ever felt that way?

And then, life gives you a gift of time. Just after I wrote the sentences above I got a call reminding me that this was a week off from 5 of my classes. See, life takes care of you, if you take care of life. I need to remember that more often!

I just saw this video from Boris on Dance a Day. He subbed for me last week so that I could do a gig w/ Cast of Thousands (a production company that does special events). My teens were being teens... they had a performance last week; this week only one student showed up for the open house/last day. She was in for a treat.... take a peek!

Obama won in S.C. Here's the BBC's take: Obama wins in S.C. What do you think? I didn't hear his speech, but peeps say it was a good one. Onward.

Here are some pics from the recent shoot w/ Paulo (studiopfp.com)... enjoy! There are spicier ones, but I prefer to keep those anonymous for now!



Wednesday, January 9, 2008

Tidbits

he said..

"I thought the walls were moving."

They were.

I'm in a shift.

I read this article about the NH Primary results... ugh. Why are they all so chipper about losing? Is it really expected? Can't Obama say, "This really F-ing SUCKS?!" Sometimes I just want a little more reality from my politicians.

I had to re-write my bio for a program at a dance competition I'm judging in the spring. I cannot possibly convey how much I really hate that particular chore. I always want to be sarcastic and funny - the serious stuff is so... well, serious. And then she blah, blah, blah. Don't get me wrong, I take my life and accomplishments seriously (that word again), but I'd rather you just come watch, ask me after the show about my past, and then let's move on. Maybe that will be my next bio:

k.k.
I write, dance, think, and play. Ask me questions after the show. Onward.

I may be going for acupuncture for the ankle tomorrow (thanks a.k.) ... those of you who've sent well-wishes, thanks muchly. I think my current state of bitchiness is a direct result of my inability to grande plié right now. Not that I'm a huge fan of plié for plié's sake, I just miss jumping. I can't jump if I can't land. I'm a jumper at heart...

just feed me mixed drinks and you'll see - no inner physical monologue, the jumps come out!



Photo: Copyright Enoch Chan 2007

Tuesday, December 11, 2007

Sunday, December 9, 2007

Dancing in Protest

This week my company performed Objects of Hope: The America Project at St. Mary's College. We faced quite a bit of skepticism, anger, objection, and offense at what we presented... at first. As the performance week wore on there seemed to be a palpable shift in the understanding of what we were saying in the work. In a nutshell, the entire piece was me asking myself questions in an effort to reclaim my personal patriotism. I'm still asking questions... feel free to join the effort.

I've come to a few conclusions:
1. Many military families object to anything involving the flag in a perceived disrespectful way. My response: It only makes sense - military families exist in a community that is supportive of each other. If a military friend falls on ill times, the rest of the community will pull together to make sure that person does not fall through the cracks. Military families have a village raising their children. Military families have to make difficult choices regarding freedom, service, taking orders, managing paperwork, benefits, wills, etc. Military families experience many of the most beautiful aspects of what the "stars & stripes" are meant to represent: a community of people with a common cause working together to achieve their goals - and demanding support from each other. Patriotism in action, loyalty fulfilled, etc.

As an artist, I have a similar community; I am fortunate. Sadly, many Americans live an isolated life devoid of much true humanity. There is little tangible giving and sharing in the average corporate life. It is far too easy to live for one's self and regard others as "characters" in the "Play of my Life." The piece was meant as a wake up call to people who rarely have to think about the larger picture of how our own actions, those of our community, and our government affect the global community.

Perhaps the piece comes across as offensive or confusing to military families because it is truly preaching to the choir?

2. If more Americans took responsibility for the actions of our elected officials, the laws they/we make, and the role we (as Americans) play globally, etc there would be no need for work like "The America Project." Answering for the U.S. while on travel is a deeply personal & difficult experience - the piece is, in part, a response to that phenomenon.

3. There is great beauty in the freedom to question and protest. It was frightening and glorious to exercise this freedom. I hope more people are inspired to ask their own questions and demand answers of themselves and others. I will continue my journey...

4. As a citizen of this country I am responsible, in part, for the actions of my country. At least that's how other's see it. Governments are made up of people, we ARE the people of the United States of America... I for one have allowed people who do not represent me in any way, shape, or form to make decisions, form public policy, start wars, etc that offend me.

5. The most effective way for me to produce change is through my art. Onward.