Showing posts with label contemporary dance. Show all posts
Showing posts with label contemporary dance. Show all posts

Tuesday, March 25, 2008

Review of Echo Park's Concert 3/21

Maria posted this review to her blog: A Time to Dance

I'm grateful for her words and her presence. It was a fun concert to participate in and I look forward to the next performance! Read on :)

Echo Park Contemporary Ballet presented its second program at Dance Place this past Friday. It was an evening of solo works by Shylo Martinez, Oscar Hawkins, Ann Behrends, Rasta Thomas, Cedric Tillman, and Kelly Mayfield, as well as a quartet piece by members of the Bad Boys of Dance.

Martinez smoldered in opening number “Art,” which provided a first glimpse of Tillman’s characteristic juxtaposition of bursts of energy and explosiveness with slower sections or pauses. And if there was any doubt about Martinez’s flexibility, Hawkins surpassed even that in his self-choreographed “Strange Fruit,” a haunting interpretation of the Billie Holiday song. Aerialist Behrends evoked more than a couple gasps from the audience with “Gravity’s Angel,” combining grace and musicality with stunning dives that stopped just a few inches from the ground. In Tillman’s untitled solo, he showed a vulnerable sensitivity that seemed utterly personal.

The highlights of the evening for me were Thomas’ “Bumblebee” and Mayfield’s “From Within.” Vladimir Angelov’s choreography was lots of fun and Thomas brought a great deal of panache and springiness to the part. Although perhaps the least acrobatic of the lineup, Mayfield danced “From Within” with beautiful lines and sensitivity– no fancy tricks needed.

The one piece that did little for me was “Maps,” the closing number, and interestingly, the only ensemble piece on the program. Jason Parsons’ choreography was thoughtful and in a way mesmerizing, but something in the execution fell flat for me. Perhaps the dancers need to build greater chemistry or trust.

While presented under the umbrella of Echo Park, the sense of this evening was really the display of individual talents, many of which were tied together by Tillman’s choreography. If the technical ability, personality, and expression of the company members and the entertaining choreography are anything to go on, it will be interesting to see what can be done in more collaborative projects.

Thursday, January 3, 2008

The Most Frightening Place...

Is the dark space that exists between ideas. The moments, days, and weeks when the muse is silent creates a maddening and deafening chaos of emotion and fear. It passes. It's just damn scary... that dark silence.

The newest idea came in concept a while ago. The concrete ideas have been washing over me the past few days. Creating insomnia, waking me from the sleep I do get, and forcing my pen to page to ask for the necessary collaboration and funding.

My ideas are born of life experience... I am grateful for a full life.

Now, to the second most frightening place: the creation itself. Walking into the studio with a mind full of ideas - good ones at that - and the responsibility to make the work to the best of my craft. The real work begins today.

I've been immobilized by a lack of inspiration, sadness at goodbyes, and the solemn moments of reflecting on 2007. Tempered with the joy of sharing time with loved ones, I've been immobile, nevertheless. Time to retrain the injured ankle and put this idea into my body.

Onward.

Tuesday, January 1, 2008

k.k. & rizqi on npr

Tune in on Friday between 1&2 pm

wamu 88.5

Listen as Andrew Hiller bears witness to "The Blend" while k.k. and rizqi pair hip hop and contemporary dance

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